Friday, November 13, 2009

Four Cruising Areas In The World

What I learned (*)



Journalist and writer, author of Night Swim realize the network that connects your life and work, good and bad times. History when he was with and upstream




I love to read a little after much Borges Arlt.
I like going against the grain.


Juan Forn. By Mario De Otazua He hits impatient wedding ring against the edge of the shifter. Handles air action movie and talk. Talk about how they live "here" in Gesell and free time you have. Passing a car in a corner of Avenida 3 hits third, a change virtually unknown to parsimony of the streets of this match from the coast. Much faster than the one we were half an hour ago when he finished the interview in the library. When we went to coffee Havana to "make time" before going on to find his daughter in the school.

But now it was late, the waiter was slow to bring the toast and Juan Forn step on the car "because, he says, staring at the next turn, I do not like it is expecting one." Brakes, close the door and crosses the street at a trot. As he enters the school, a dance step canchero, he hits the hand of a classmate of her daughter who smiles. Within seconds, 9 year old Matilda is going to get into the car, he I will explain that you are doing a story and she will insert the greeting with a mischievous complaints because they gave too much homework. Papa John is looking mirror melt. ***

"This library gives me bad, is always empty and has some beautiful books," he says when I come and look from the center of the room shelves. It gives me time to settle down in the chair and shake a little sand that inevitably sticks to jeans and gets into the shoes for more than a walk on the sidewalks.

- I went to Newman, the college of Macri, De Narvaez, de Prat Gay. Macri from twelve years and began to show of their wealth. Assembled a team and scored in a tournament of amateurs, these inter-countrys like him that Diego left the Tower. As I played well I could attend. He was an alternate but was his team and I would pick a guy in a car to go. We played with the full team of Holland. I had never played in a team where everyone had the same shirt, same socks, same pants. We had everything. And when I finished school I remember I said that I would not play anymore because I was going to Europe. "Oh you go? Do you ski? "-Imitates some rage-" To live? How do you go on a cargo plane? , What do you mean again? " He stops opening his mouth and makes a face of wonder all on actuated "I did not say that the aircraft company was my dad, but good. But as I was sleeping on a plane between the horses.

Juan asks me Tute. Always swore in its class, the environment where you happened to be born and reared. That place where "you have to do what he did your old and thinking what the family thinks" "For the kids (the school) was crazy, they told me because he used the Forn Topper basketball red shoes. For them, the worst was that you liked the rock. I wore them because they were a sign of identity, Charly had used the bye to Sui.
After twenty years John lived in Sitges (Barcelona, \u200b\u200bSpain) in a community of exiles who painted mud houses and put the money he got from that into a common fund. He added his salary and together they shared lavacopas up spending daddy used to play football. The writer says that "those who were there" helped almost Brotherhood organization and explains: "People still kept coming up in Argentina or other Latin American countries falling with nothing."

- There was a family in the district that were like five brothers militants. One of them told me, a night of drinking, who had escaped through the roof running with women. He went with his daughter in his arms, the woman running them back and the soldiers. Suddenly you hear a loud noise and see how the woman wheel and falls three stories high. And he had to follow. What would you say? I was there because I felt suffocated in Argentina - said in a tone of disgust toward the same "I wanted to be free and writer ... Stop fooling around.

After traveling with a europass "Topper" Forn "was found one day with his parents in the De Gaulle Airport in France. They had come with a return ticket and third letters of his friends.

"I convinced and went back. Get here and would not study anything, Argentina was in the process, I had left in disgust. And I put the old pressure because I was supposedly the best student of the school and "What happened to this guy who does not want to study and not do anything?". A friend of my parents said to me Emecé enter: "At least going to be in books until you decide what you want to do." And I remember I went in and a month I published a poem in The Nation and read the owner of the publishing Bonifacio del Carril, the daughter did read. I went in there for 10 years and went up and up. Translated books, published my first novel, directed the collection of Argentine writers, etc. But then I hired the Planet. Was 29 years and commands you told me. I could not believe.

Forn's first novel was originally titled Captive Hearts above and their reissues became one heart. He wrote it while attending a workshop that dictated Abelardo Castillo and the latter had invited him after having read the first two chapters of what would later be his first. Forn laughs when he recalls discussions with the author of Chronicles of an Initiate, about what the end should have Hearts or the times at which they met among themselves to correct their writing.

- What happens is that it is more fun because nothing more fun that you question the text. He thought everything. There are writers who write faster. With Castillo, whatever you ask, almost certainly what you thought you are saying and was even further. Then when he got a celebrated Abelard, you gave the victory lap around the table and came back. And that we did together, we stayed hours. He was amused as me, I said: "The dictionary says that maybe if you can not put the following word begins with a vowel" and he "I care three the fuck what the dictionary says." "Well, but that the dictionary says," No says that! ". He was looking at one, I in another.

Why use the second person to tell at Hearts?

- Because the kidnapping of a U.S. novelist named Jay Mc Inerney. And besides I saw that the story was, for a kid of 13 years, the voice was perfect for allegedly adolescence is the first time in life where there is a psychologically split and you look from outside. But it was a labor to write in second person. You know the work you have to do to avoid the cacophony?

you At times you allow even the use of free indirect style.

- What is free indirect style? - I put in check and laughs while frowning.

The resource uses Mario Vargas Llosa's Conversation in the Cathedral for example.

- What a great book! Yes, I use it. But it is a mark of an era. That's one thing when I was training, when he devoured books like vitamins, the novels have to be complicated. As everyone had forced something, all books had forced some Latin American novels, had a difficult stylistic Sheitan.

Cortazar Rayuela, The Death of Artemio Cruz Fuentes ...

"Yes everyone, Hopscotch, The Death of Artemio Cruz, The Obscene Bird and night, Vargas Llosa was for me the most technically gifted. They were all books that had something like that. I somehow ended celebrated when narcissistic experimentation that characterized American literature in the eighties, but what happens is that what came later when there was no experimentation is a flatness.

After his first novel, the then editor of Metro, published his book of short stories Night Swim. These stories are highlighted a story titled the book and the dangerous edge of things. "On the Drogon" he says.
Swim Night tells the story of a man who spends a short vacation in a rented house and a sleepless night is visited by his father died some years ago. "That's how I hit," says Forn and that he wrote after his death the father of a friend and also with his lies and dreams died.

- My wife at the time had come to the writing of my first novel, the death of my father and when I start writing Swim Night she studied psychology. We were to separate, things were not going well. A week after the story ended, I show and say, "I thought you had already done with your father." So I then said, "I separated from the mare that I have broken balls" (sic). And she ends up being the girl in the Karma of Certain girls. And today I am married her and have a daughter.

dangerous edge of things by hand knot is the main character stay in an apartment in "the city of Buenos Aires" which works great as a cocaine addict after.

- Actually when I was almost finished the dangerous edge of things, I did not take market yet. I smoked Faso, had ever taken any pit and seen people taking market ahead of me, but I did not take. And there was a mine that was called the Red San Roman, who was the dealer of all the atmosphere of rock. On the other hand, had a kid who is a film critic Trash (a character, one of the more terminals merqueros I know) and this got a line type to go buy a Saturday market at half past twelve a Chilean writer called Fuguet. Fuguet the next day comes and says, "You do not know the place I was, I do not know anyone but I'm sure there were people on TV."
write the story, published in Swim Night and the month had a party at El Dorado (a nightclub). Suddenly I'm dancing and see a petite red-haired, ten years older than me, holding me with his nails clavándomelas in the neck and says, "You're a bastard, because of you I almost dropped the cane ". And I say, "Do you who you are? Who knows you petite? " ... "I'm Adriana San Roman." Then comes Cecilia Roth, takes me aside and says, "it is San Román Boludo grabs you fire in your book." Then when I met Cecilia Fito and we met at the home of Fito and she never had good vibes with me. Apparently she had a daughter he learned.

John is thinking about what you just said. Is wearing a shirt of those that are short and long sleeve at a time, simulating a shirt on top of another. Chest on the brown fabric, has drawn a giant marijuana plant with flowers that could be the dream of every smoker sativa. When we finish the interview is going to tell me now está “esperando que abran el primer bar donde se pueda fumar libremente un porro” y aclara: “Yo no puedo tomar alcohol y por ahí salimos con amigos y yo veo como los otros suben y suben y yo estoy siempre en el mismo lugar”. Un bar donde permitan fumar marihuana… “Ya estamos cerquita”, pienso, no falta tanto para que Juan pueda fumar legal. Afuera unos chicos juegan un picado y gritan fuertísimo cada gol.

Antes de arrancar la entrevista mencionaste el “El Ego-trip de dirigir Planeta”.

- Sí. Cuando yo entré a la editorial me dijeron: “Los libros que vos quieras publicar se publican y acá tenés 25 mil dólares para contratar libros”. I hired at a rate of $ 500 each, and all happy. That began the South library had a fully comprehensive profile and some were re trendy, the collection was canchera and for others it was more open mentality. Above, I was one of the books fetish collection was mine ... I believe it. To me, I went to his head. Furthermore, had been changing slowly and the thing began to be silver, if not literature itself, at least in the editorial work, or in supplements, began to grow cultural supplements and began to be more work in journalism. You know when you're in the right place at the right time? That was going to happen anyway at some point in time Metro thought I had turned around.

Frivolity What about you write that near the end of your stay in Metro?

- Menem is a novel, unfortunately. Much glam to fart. I thought I was painting a portrait of Argentina. Some people like it, I do not want. I have a bad memory, are the worst years of my life. These are the years when I believed it, that I took market, where I was married to the mine-his second wife, who was a cat ... I was austere and when the mine was hit with a delirium. Came to publish Swim Night and working in Metro and 48 hours after meeting the two together we went on a plane to Miami. She gave me handle and say, "you're a genius." The issue is that I believed her.

Were doing what your characters in that novel Frivolity.

- Yes, I lived in a way very similar to the one described here. I could not write for all working or everything I enfiestaba. Juan

finished writing that Frivolity against the clock, he had served three months of the scholarship achieved in the U.S.. Upon returning to Argentina had to finish editing the book, return to face a Planeta divorce "and looked ahead."

- So when the book was published, I thought it was a best seller, I thought they were going to shoot.

- A film Frivolity?

"Yes, I thought he was going to be translated into 50 languages, was crazy. ***



Forn look at the time, I apologized and called his wife. Is fetching him his daughter to school and short. She looks at me laughing, you know what to say, "What problem women." I laugh and I think the owner of the hostel where I stayed, since he accepted his first mate did not stop talking for lovesick repeating every so often that "these whores" are a necessary evil.
A woman cleaning
makes us pick up your feet to move the brush under the table. Juan told me how it was Metro, how an Argentine sent from Spain to be the boss and when he was dismissed from his fellow team.

"I came back and said that the refunds to them or I was going. "Well," he said. So I made my cardboard box and went - laughs at his role of hero in the situation. Think and joins periods. Finally back talk, "And there I went to page. And I went so was the planet boy. At first I did screwed up, sat awful. They felt terrible. We had the paradoxical fate of Radar began in July 96 and died February 97 Soriano. The first thing I did when I was called to Soriano and Horacio Verbitsky (who were people I had recommended) to help me. The idea was, in the first issue of Radar, make a note of Soriano, another Verbitsky and so on. Then came Argentina, Oscar Peterson and Horace call and say, "Come Oscar Peterson and I get to chat with him." I tried for the ortho and he said: "Do you you think I am for this?".

The creation and first steps of the supplement Radar made it difficult to Forn who acknowledges that Ros, Rep and strawberries were of the few people who were at his side when all the "falluto." Anyway, luck was willing to change:

- When Soriano dies, a Wednesday, we were making the supplement and I went on vacation this Saturday. Type 6 call me and say, "Try to do everything you can about Soriano, give cover." A Soriano watched a block of writing page. We are left with Strawberry Rep organizing and drawing up very late. I started to put things as I could and see what drew, what went down, go down all the photos on file, begin to raise and lower Tiffenberg suddenly and said: "Take a little air, and this the drawer out a little. We went and had so many people at the vigil that started asking many texts were doing there and go straight to the diary to write. Or they were taking testimony and we left for the day to transcribe. We spent all day Wednesday, all day Thursday and we were working until Friday at two o'clock when we close the entire supplement devoted to Soriano, drawings, texts, everything. There I came home and went to Ezeiza with my wife.
I went three weeks. When I returned, Radar was already a legend. That number was bought by the French magazine Liberation to make a charge. And he was a famous picture of Soriano going back with a cat next door. There change the mystique, it was Radar Radar and everyone was saying it was the best supplement.


But the pace of Radar, combined with the correction of reissues and the presentation of his novel was pure lies Forn to pancreatitis that forced him to leave his position as head of the supplement. The medical advice was clear: Abandon your life style before. The author moved to Villa Gesell from where he continued writing for Pagina/12 but much quieter and published María Domecq, a novel that continues to introduce its line of personal items in their literature.

How do you take your family biographical inclusions in the texts?

-Some things never forgives me. I spoke of my grandfather, who told how culeaba (sic) mines. Something that everyone knew, the marriage of my grandparents was a full face shield, he did not want and if the twine. It was evident, I told my. What happened was that he did not speak with anyone, he was a turd (sic). But I loved.

But both Hearts and Maria Domecq have an effect of sympathy between the reader and Galo or Carlos.

"I think so, that's true. The story of the pool is true - Carlos Forn, whom the author hides under the Gallo name on his first novel, he taught his grandchildren to swim by tying a rope around his chest and throwing them to the pool while he held the rope to keep from sinking. The other day I found some cousins \u200b\u200bof mine who are Cholula in the background and when they meet me they say, "Che commanded the book that, yes, that is my old man is angry." But listen to me one thing? If you tell there's Carlos J. Forn's all true? And what of the admiral, they deceived us, we were told we had a hero in the family. A hero who ordered to kill Jews Forn's great-grandfather, named Domecq Garcia had a strong involvement in the tragic week for the Patriot League.

Did not you have a good relationship with your old? Many encounters with Karol "Forn?

"Well, luckily he died young. Still, the last year we made up a lot. But I should not have been the best child. In

Gesell are walking the streets, literally. The arteries going from one place to another in the city were considered between avenues and "walks" and are mostly sand. Juan Forn parked his Volkswagen Gol at the fuzzy boundary between sidewalk and street that are often places of beach that border grass and sand do not really know how to respect.

The library closes at six pm and we fired and the jackets on. We apologize and withdraw. Matilda his daughter, leave at six thirty the school. I begin to say goodbye but it stops me: "There's still half an hour, go to a coffee and make time."


My Umbilical Hernia Surgery Problems

The global crisis and crisis communication



Interview with Josefina Licitra
Considered one of the exponents of the new Argentine journalism, Licitra talks about his successes, their pasts and their projects. Chronicle of a skeptical reporter.


By Matías Ortega

eleven o'clock in the morning in Palermo. In coffee Delicity everything seems decorated by a fastidious housekeeper, the pastel colors on the walls, checkered tablecloths on small wooden tables and dishes as white as the apron of the waitresses. Located at the corner of Sanchez de Bustamante y Guemes, coffee has large windows allowing bystanders rushed to see the impending rain, even some cautious and hold umbrellas and hoods over their heads. Inside, you breathe the scent of croissants while she cut the smoking stir in well with a waiting room parsimony.

"I do not know what it was a chronicle until you win an award from the Fundación García Márquez. - How You Did not Know?
I did not know what it was chronic. I always wrote as I liked, then I know. The way I wrote Chicken Run arose from the editor of Rolling Stone, who said "do not be afraid to direct dialogues and conversational situations. You come on to do what you're looking. " After the photographer who worked with me told me to submit to the Foundation Award and I sent over the Internet without many expectations. So when I found out he had won, I started reading immediately upon not to make newsprint chronic. Imagine if in Colombia, I wondered: what is the record for you? Says imitating a Caribbean-tune and I do not know! So I read and was great to see what was what I enjoyed doing. Now I know are chronic.

The speaker is Josefina Licitra, a journalist. Their work is complex, indescribable transcribing real world to a sheet of paper. And he does an exceptional way. According to the cultural supplement Babelia the English daily El Pais, Licitra is "one of the boldest voices chronicled in Argentina." In fact, his journalistic work earned him the highest recognition in Latin America. In 2004 he received the Award of the New Journalism Foundation of Gabriel García Márquez, by chronic Chicken Run, the story of Silvia, a 15 year old girl leading a band of kidnappers, published in the vernacular version of Rolling Stone . - Gabo? It is a love ... "replied the old man when asked about the Colombian writer who presented the award" I remember once having lunch with him and laughed at the woman who was shitting. ***



Josefina has black eyes, dark wavy hair dipping over her thin shoulders and crooked smile, as if the corner from the right side was higher than the left. This is part of the "problem"-and called him by his parents, who had to endure several visits to the operating room. For her being born with the right ear unfinished, with one of the jaw shorter than the other and the facial nerve branch operating in forty percent of its possibilities, it meant four operations in seventeen years.
- Do the operations that you've had are the reason that the theme of the body is a constant in your reviews?


I do not know if it is a constant, but in the more personal question had to do some writing operations of girl I had, also having a child. These changes and body markings were converted into stories. I think stories can be beautiful when I say stories also include a photograph, not limited to textual, which show a status of beauty beyond the parameters established by the aesthetics. Something that is not naturally beautiful, you can go through a beautiful story. For example what did Gabriela Lifftschitz-portrait photographer is highlighting the female nude in her left breast, "has a strong poetic charge. She not only took care of the photographs, but the lighting and the texts and produced some shocking but beautiful.

As for the things I write about my body, I served as a kind of catharsis, had some liberating but that was not his first target. I found it interesting to chronicle the self, what can count as one talking about himself? without doing something patronizing the kind of "barbaric what I am". In this case I wanted to chronicle my own and it sounds schizoid would unfold. It was interesting and painful at a time. But I think the past have meant to minimize the role that subject, because a really terrible things can not or name.
marks
But life is not just physical. They are also invisible. Josephine spent her early years in La Plata during the military dictatorship and his days were a constant escape repression. Along with his mother, a twentysomething university militant, were arrested in this journey without a compass that many Argentines suffered.

"We had to move several times where we lived, go home, because it was too risky. My mom tells me that he spent whole days traveling by bus, from terminal to terminal or from train to train to pass the time because I could not stop anywhere, so I fed in the streets. My old self, as militants continued to Trotskyism. At night we slept in a friend's house. It was a very itinerant life, without spending much time anywhere. Also, they were re concerned, his best friends began to disappear, so my dad went into exile, first in Montevideo and later in Madrid.

She talks about her past-factly. Perhaps because those years and are distant. "And we did not have a handle" says while breaking with long thin fingers the packet of sugar into the well again.
"Not that we were poor and I want to make a tragedy about it, but my parents were very young and never had the help of his parents, Licitra recalls without intention of dying of misery family history. I remember one day my mom went to get me to school and had led a Lola, a candy of the moment, and I remember that did not want, do not know why, then she said "I do not take collective to buy this. " I was very angry. After he threw up a placard and was a months there for me to know value.
Josefina What I appreciated were the letters. He began writing fiction and stories close to the literary. But during his adolescence, was her teacher's language that marked the path of writing and advised to read the cultural magazine La Maga. Licitra remember where he found the notice of the School of Journalism TEA, which was the perfect excuse to explore a career that allowed him to develop his pen.

From there all was an escalation in the journalistic world. With only twenty years and was part of the editor of the newspaper Clarín. I also work as a freelance journalist and national media Rolling Stone, Twenty and Lamujerdemivida, and international as Soho, Black Label and Leopard. Now part of the permanent staff of the journal Critique of Argentina, in the Society section. Occasionally, chronic or soliloquies given his readers. Usually in the form of cover. They thank their way:

"artte s healthy - 40 years - said: grasias Josefina finally a drop of Uman in the midst of so much garbage, I do not mean the paper but the reality that leaves whore crack of light But things are hasi. when you least expect in the decierto is a rose. "(27/08/2008) ***



It's past noon. In a Delicity second coffee became a desert wells and open day on the tables. Not overlook the pale waitresses behind the bar. They probably are having lunch in the kitchen. I notice that there is not a wrinkle on the face of Josefina, your skin looks smooth as silk. Outside, raindrops slide down the windows facing Sanchez de Bustamante.


- Also you write a lot about the passage of time. More than anything about the different stages of life, or childhood, adolescence and old age ...


- Yes This is a recurring theme that I sparked interest from the arrival of their son Joaquin, four years Today days. Did you see that says that kids come with a loaf under his arm? Well, actually come with a clock! The time begins to run differently, faster. For example, I think that Joaquín has twenty years, I'll be at fifty! And that I appear old ... Yes, indeed. I have an obsession about how I will achieve all my life to make plans. In addition one is aware that death happens. So I try to measure myself because if I went to my always write on the subject of time.

The weather is disturbing to those who live between the letters. Is Julio Cortázar, "untimely", who defines games time as "billiards" and claimed the fact of non-coincidence in time of the posting that pass next to each other without meeting. Are these adventures of the odd times that make up the contradictions of life.

For Josefina Licitra, non-coincidence in time comes from a black vision of the world in sharp contrast to political activism - utopian? - From their parents. Two generations antagonistic, two political views, in the same family group.

- The interesting thing is that I come from a very strong political tradition: my father was a Trotskyist all his life, he was forced into exile during the dictatorship in Madrid, but I see a game left and it makes me laugh, "says Licitra with sparing face, was not amused skepticism. Thus, I'm so black and gloomy with political parties and with the rest of the world in general.

- However, the chronicle is a political form of writing. So says Martin Caparros. It is a way to give voice to the voiceless, a way of changing power structures from journalism.
"Yes, I do not share that vision. I do not believe in people doing something to change the world. I think people who want to change the world waste time, because nothing will change. So this is not my intention when I write a chronicle. For me the chronic form of telling a story narrative tools. Nothing more. I have a very cool looking theme, which does not mean that I do not engage emotionally when I do some work. To me what interests me is telling a story and tell it as fully as possible, then it results in a change, as a side effect, but I do not thinking about changing something, I do because I'm interested in stories nonfiction. It's more personal and less bombastic. That does not mean that then help change public opinion on certain issues, destigmatize some issues. That is, the chronic can bring change, but not what I want.
"Perhaps, although you will not propose in the first instance, you end up generating a debate ...

"Yes, well what you say. It's just that I worry about recreating a scene that the reader will "make the movie" the topic I'm trying. The chronicle is a literary pleasure given to the journalist, is telling a story with real data. Because journalism is a craft very cynical when I made notes on Romina Tejerina, Silvia, the quinceañera of abductions and trafficking in women, to me what interested me was to tell the story as completely as could be . I was not interested Romina help, or you go down the sentence to Silvina, and appeared Marita Veron-victim of trafficking in women. That was not my goal.


- What happens after you heard the stories so powerful?


-I affects ... of course I'm concerned. But did you see the doctors to operate do not think they are operating at a person, but have to see it only as a body and work on that? Well I think so is journalism. If there is anything I can move or touch me I can not tell, because to tell you something I have to have distance. In my notes and sentimental tear irritated me greatly. For example, I thought they did foul journalists League linyeras disguise, I disagree ideologically with that. Is that the immersion journalism, believe that you can get into other territory and pretend to be part of it, is a lie to the people around you because you're not one of them. For more views you bum, you do not wash your hair for twenty days, you're not that, if after you return to your house and you have a clean bed and everything else!


- What do you think of that fascination is so marginal journalism?


"It seems easy and morbid fascination for all that matters is to display and show situations of poverty, marginalization. That is not bad if you follow my premise of not seeking social change, but to tell a story a justification of why you have to tell it. The stories I choose to always have a theme behind. For example, in the note by Marita Veron want to show the white slave trade, in the case of Romina Tejerina a theme of femininity and motherhood very deep, so with gay and lesbian adolescents. Unlike this, in the fascination of the marginal, dark and dingy there is a reason behind that is not mere display. ***


Josefina Licitra also has a book under his belt, "the unwary. Stories of gay and lesbian adolescents in Argentina "was published in 2007 by the editorial Tusquets. The journalist was proposed to reconstruct the stories of six young gay and find out their fears and pride in the midst of a conservative society. The most illustrative case is that of Santos, a teenage high society of Buenos Aires that surprised his parents by announcing their status as gay and in return they asked prudence with a dismal and hypocritical gesture. Currently, Licitra working on a new book of chronicles.
- What do you want to have in your next book?


"I want to illustrate the Greater Buenos Aires, telling different stories without falling into the sordid stories and marginal. Estimated that 23% of the population lives there, making it a very interesting area to investigate. But it is very hard work, dense and sometimes sad.
- What part of you?


"Now I'm doing the research process, I have to deliver it to editorial in June next year. Just as I have defined what I have in each chapter. In general the structure is more complicated to assemble.


- How are you working to cover all the Suburbs?
"I delineate chapters and themes, if not you know you can go through life stories. I have two friends who are in "Cops in Action" and toured the conurbation with them, because they know it well because years ago coming out to patrol the area. Also free is the per diem not to invest in transport costs. So they helped me make a picture and now I know where I want to address in terms of issues.


"For example ...
want to talk to the police, but not from the complaint, but rather from the idiosyncrasies of Buenos Aires, speaking of contrasts towns / countries ..." Then she falls silent. "I swear that I do not want to do the enigmatic, but I have very bad memory" clear as the latter takes up the explanation, also on informal trade, pointers politicians, the media coverage and especially the transition from television's most impoverished areas. ***


are almost one. Inside the cafe, the maids cleaned the tables with these scented detergents blue disinfection. There is a kind of dark suit reading a newspaper in one of the white leather couches local. Josephine looks to pass, you may call attention to his crooked smile, perhaps the recognition. Outside, the sky is gray. After the dismissal, she is lost people wandering around Palermo with a brisk walk. As if to get away from the cynical that just interviewed. http://laescafandria.blogspot.com/


Saturday, November 7, 2009

Ewings Sneakers For Sale



agenda I have, I have a rhythm of life, learn, study and struggle. And when I thought I was going back to sink. Hinders me thinking. How is it possible that a minor can shake made with such skill that throws me and makes me almost unconscious lying on the cold floor. No way out of this because even I understand myself.
This week I've been pretty busy with my visits, my Arabic lessons ... even yesterday gave me feeling hungry and that made me happy. In the afternoon I was alone in my empty bed and broken. I slept until half past seven, had planned to study, but my fatigue was stronger than my will. When I woke up I noticed I was a little sad. He came to class telling their fortunes of looked at me and Bus I said it was sad that I had made it ... words to tell him ... Why? began yesterday for the first time because of my sadness and I told him I was the sole culprit for me this way ...

It's Saturday morning and I am prepared to clean and board (yujuuuu!) Will be entertaining today and tomorrow. But I have fallen again ...

listen music, the Qu'ran, I will study, I will order and try to cheer me up. Kisses to them that love me.

Friday, November 6, 2009

Contribution For Weddinggift Letters

subordination custody and domestic violence Days

I want to introduce the conference I made Domestic violence for the Institute of Murcia and the University.
Keep in mind that this conference are part of a comprehensive intervention program in high schools where I've been working the past three years and I have already finished.
I already talked about it and since then, nothing new there.
Both the Department of Health, Social Welfare as have shown a special interest in supporting this program (the share of the Mentoring Program), which has received favorable reports of the technical staff of both councils, as well as an honorable mention the Ministry of Equality and the Ministry of Education, but apparently, it takes 7 or 8 thousand euros to get it going in the centers run by the City of Murcia and, of course, it seems qyue for that financing should not be achieved ...
Well, here's the prgograma of the conference. Hope you like and you approach them to participate.
take this opportunity to thank all the people who work with me in the organization and development of this conference, including all (major specialists) who will give lectures and will bring his artistic creations without receiving anything in return, except for participation in a project that are (we are) involved.



II Conference Against Gender Violence of the IES and the University of Murcia


Title: A critical approach to the phenomenon of violence against women in English society: achievements and challenges.

After almost 5 years since the appearance of the Organic Law on Integral Protection Measures against Gender Violence, it is high time that this phenomenon is known in society in all its dimensions.
We are too used to think of violence against women from a reductionist perspective, though terribly tragic, focusing on cases of death, which too often means no show. But the truth is that violence Gender is rooted in modes of social organization and modes of thinking and feeling within the relationships that make women in a subordinate subject.
From this conference we intend to offer students in particular and society in general an overview of the phenomenon of violence, from the word of people who work in this area and from the images with a number of artists present and want to move further reflection.
But we also want that this view is neither static nor complacent, but extremely critical and therefore not only aim to provide an overview of work from different fields: health, judicial, educational, psychotherapeutic, university, police, political, etc., is being made, but also a critical approach to show us the problems, gaps and challenges that have and will, be faced if we want ( if possible) to eradicate gender violence as a structural phenomenon.
Finally, and precisely for this purpose ideal, utopian and we believe possible, raising awareness and will to shape as the final objective of this conference, because we know that, at any rate, eradication of violence against women going by the fact that in the future we able to think in a society without violence (economic, political, physical, psychological, family ...) gender. Collaborate




- Government Delegation in the Region of Murcia.
- Vice President for University Extension.
- Department of Social Welfare, Women's Area. Murcia City
- AIEMUM Association (Medical Student Exchange, University of Murcia)
- Ceumar (Student Council, University of Murcia)

- Mrs. Francisca Munuera (Government Office)
- Ms. Juana Herreros (Department of Social Welfare, Women's Area)
- Doña. Carmen Romero (Professor, Department of Drawing)
- Doña. Asunción Pérez (Professor, Department of Drawing)
- Ms. Eva Santos (Professor of Fine Arts)
- Mrs. Genevieve Sierra Aparicio (Student ADE)
- D. Ruben Antonio Jiménez Ros (Ceumar)
- Mrs. Diana Gandhour Fabre (Medical Student)

IES INVOLVED
- IES Infante D. Juan Manuel (Murcia)
- IES Saavedra Fajardo (Murcia)
- IES Alfonso X (Murcia)
- IES Fleet (Murcia)
- IES Ramon y Cajal (Murcia)
- IES Salvador Sandoval (Las Torres de Cotillas)
- HEI Stables (Stables)
- IES Poeta Sánchez Bautista (Llano de Brujas)


The Conference will take place in parallel with two different programs: one for universities to be held in the auditorium of the University (16-18 November) and other students from IES (16-20 November) to be held in the auditorium of Building Moneo. UNIVERSITY



NOVEMBER 16TH

10.00h. Opening. D. Rafael González Tovar.
Government Representative for the Region of Murcia


Tomorrow 10:30 am Inaugural conference.
-Mrs. Rosa Maria Peris Cervera. General Director of the Institute for Women. Ministry of Equality.

12:00 h. Ms. Gloria Virginia Conference Bombín
Palomar. Judge of the Court of Violence against Women, n º 2 de Murcia.
"The Law of Integral Protection Measures against Gender Violence"


17:00 pm Afternoon Ms. Marina Tourné
Conference (Primary Care)
"approach to the Violence Against Women: Contribution from the services health ".

18:00 h. Opening of the Exhibition in the University Senate.
D. Guillermo Díaz Baños. Vice President for University Extension. Universidad de Murcia

November 17


Tomorrow 10:30 am Conference
Ms. Maria de los Angeles Miñarro (Psychologist, Office of Crime Victim Assistance. Court of Cartagena and the device 112 for Family Violence)
"Psychological Intervention with Victims of Domestic Violence: Present and Future".

12:00 pm Conference
Ms. Teresa Vicente. (Professor Faculty of Law. Universidad de Murcia)
"Human Rights and Gender Violence."



17:00 pm Evening Roundtable (Students)
- Mrs. Diana Gandhour Fabre (4 º de Medicina)
- Ms. Maria Francisca Padilla Rodríguez (Student 5 of Psychology)
- Mrs. Irene Hernandez Sanchez (4 º de Sociologia)

18:15 h. Concert by the Choral Ensemble Demus
Leader: Ms. Maria de los Angeles Zapata



NOVEMBER 18TH



10:00 am Ms. Francisca Munuera
Conference. (Head of the Coordination Unit to Combat Violence Against Women - Government Delegation)
Policies for the eradication of gender violence "

11:30 h. Conference:
D. Javier Ortega. School teacher and author of The Solitude of Mae. Anthropological research on domestic violence.
"The contexts of violence against women. How to address the educational system?

24:45. Closing Ceremony.


PROGRAM FOR IES
Venue: Hall Building Moneo. Murcia

NOVEMBER 16TH

10.00h. Opening. D. Rafael González Tovar.
Government Representative for the Region of Murcia

10:30 h. Inaugural conference.
-D. Miguel Lorente Acosta (Government Representative for Gender Violence). Auditorium of the University of Murcia

12:30 h. Inauguration by Ms. M ª Carmen Pelegrin (City Social Welfare) Exhibition works of students and teachers in the Exhibition Hall of El Carmen.

November 17

10 h: Presentation of the Conference Ms. Maruja
Pelegrin. Councillor Welfare. Municipality of Murcia.

10:30 am: Ms. Joan Herreros
Conference Bustamante. Women's Department. Social Welfare Department. Municipality of Murcia.
"loving relationship and gender violence."

12:30 h. Visit the exhibition of works by students and teachers in the Exhibition Hall of El Carmen.


NOVEMBER 18TH 10:30

: Conference
Civil Guard (Women Teams Minor-EMUME), National Police (Family Care Service-SAF) and Team Care and Protection of Local Police family-Murcia (EPAF).

"Policing at the Gender Violence."

12:30 h. Visit the exhibition of works by students and teachers in the Exhibition Hall of El Carmen.

November 19

10:30: Conference
D. Javier Ortega: Doctor of Philosophy and professor of the institute.
"The contexts of violence against women"

12:30 h. Visit the exhibition of works by students and teachers in the Exhibition Hall of El Carmen.
NOVEMBER 20TH


10:30 am: Conference. Ms. Lola Lopez
Mondéjar (psychoanalyst and writer)
"Sticking / un-glued: vicissitudes of loving bond"

12:30 h. Visit the exhibition of works by students and teachers in the Exhibition Hall of El Carmen.

I hope.